Jason B. Schmidt

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Call Answered: Interview with Jason B. Schmidt, Bea Arthur aficionado

Posted on January 13, 2016 by jasonbschmidt

Jason had a fabulous interview with Call Me Adam regarding everything Beatrice and a little bit more.

Will you please check it out?

Posted in Exciting Schmidt! Tagged Amy Anders Corcoran, Bea Arthur, Cabaret, Call Me Adam, Comedy, DRAG QUEENS, Golden Girls, Interview, Jason B. Schmidt, maude, NYC, Off-Broadway, Theater, Theatre

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Gigs!

The Golden Games - Rehoboth Beach July 29, 2022 at 8:00 pm – 9:15 pm
Ptown Show 1 August 30, 2022 at 8:30 pm – 9:30 pm Post Office Cafe & Cabaret, 303 Commercial St, Provincetown, MA 02657, USA
Ptown Show 2 August 31, 2022 at 8:30 pm – 9:30 pm Post Office Cafe & Cabaret, 303 Commercial St, Provincetown, MA 02657, USA
Miami Element - Golden Games Drag Brunch - HOLD October 23, 2022 at 11:00 am – 1:00 pm Element Miami International Airport, 3525 NW 25th St, Miami, FL 33142, USA
HOLD - Thank YULE - Tom’s River November 19, 2022 at 7:00 pm – 8:30 pm Exit 82 Theatre Company, 73 Main St, Toms River, NJ 08753, USA

The Golden Gays™

The Golden Gays™

Beatrice Arthur: Astral Dame

Beatrice Arthur: Astral Dame

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"Piscator was a seminal influence on Bertolt Brecht, whose “The Threepenny Opera” with Kurt Weill occasioned Arthur’s breakthrough, when she was cast as Lucy Brown in the heralded 1954 off-Broadway production with Lotte Lenya. Arthur, by this time, had already been performing regularly, thanks to a theater culture that knew a good bass-baritone voice and imposing build when it saw them."⁠

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Stunning photos from @broadwaytheatreofpitman #Pitman, NJ⁠

And Then There's Yente: Bea Arthur's Golden Career⁠

#GoldenGirls #DragBrunch #NYC

Hot on the heels of his record-breaking Hello, Dolly!, composer Jerry Herman returned to Broadway with another blockbuster, Mame, which opened to rave reviews at the Winter Garden on May 24, 1966. Based on the novel by Patrick Dennis and the play Auntie Mame by Jerome Lawrence and Robert E. Lee, the musical was, in a very real sense, “presold.” It featured a grander-than-life charismatic heroine, a real riches-to-rags-to-riches life story, and a rousing score by one of Broadway’s newest wunderkinds. And it had a star of the first magnitude in Angela Lansbury who appropriated the role and made it her own, even though it had been identified before with the great Rosalind Russell. Mame was nominated for the Tony® for best musical that year and enjoyed a long run of 1,508 performances. First LP release: June 3, 1966⁠

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